4 Types of Triads ♦ Naming ♦ Series ♦ Der/Par ♦ Intervals ♦ Formulas ♦ Lines of 7 ♦ Circle of 5ths

An **interval** is the relationship between any two tones. Sometimes it is defined as the distance between tones, & that is one dimension to what they are. Yet, more than that, intervals are sounding relationships, or interactions, between any two tones.

The open strings in standard tuning have these intervals between the strings. If closed, they are the same. And interval types can also be described in half steps.

The **black dot** is *any root* [the lower down the string the root is located, the nut cuts off some the possibilities - this is true for any string].

The interval shapes and relationships from the 5 string are the same as string 6. Makes sense...since the intervals between the strings are the same, the shapes are as well.

Whatever line or space the note is on, is the line or space you start counting from (it is the 1). In the example, the first line of the staff, **E**, is **1**, since the note-head is on that line.

When **E** is **1**, the **F** space is *some type* of **2**, the **G** line is some type of **3**, the **A** space is *some type* of **4**, the **B** line is *some type* of **5**, the **C** space is *some type* of **6**, the **D** line is *some type* of **7**, the **E** space is *some type* of **8**.

The type will depend on whether the tones are naturals, sharps, or flats [aka the key signature].

With time & practice, we can quickly identify interval types in notation by how they look. The challenge can be what type of 2, 3, 6, etc. This will depend on the key signature and whether sharps or flats are present.

Visually, it helps to know the following. In music notation rules, visual spacing allows use to quickly identify interval types. Pairing this information with knowledge of the fretboard and guitar intervals, we can interpret more efficiently, even without having to keep note-tone names in mind, as in the case of transposing.

- Odd intervals = 1, 3, 5, 7 [
*some type*of 1, 3, 5, 7, 9, 11, 13]. - In music notation, odd intervals are always line to line or space to space.
- From an E, the odd intervals are E, G, B, D.

- Even intervals = 2, 4, 6, 8 [
*some type*of 2, 4, 6, 8]. - In music notation, even intervals are always line to space or space to line.
- From an E, the even intervals are F, A, C, E.

When we play a scale, one tone to the next to the next, this is playing in steps (2nds). Steps are 2nds. E to F is a 2nd. F to G is a 2nd. Yet, E to F is one fret, while F to G is two frets. Therefore, there must be *two types* of 2nds [a one fret 2nd, & two fret 2nd]. This is true. And, this idea applies to 2nds, 3rds, 6ths, & 7ths.

A one fret 2nd is called a **minor 2nd** [m2] = 1 half-step = 1 fret

A two fret 2nd is called a **Major 2nd** [M2] = 2 half-steps = 2 frets